These Magic Makers Famous in The World
Learn what inspires and motivates some of the world’s top creative minds. A respect for the raw beauty of the Pacific Northwest has led Seattle based architects Jim Olson and Tom Kundig to create soulful contemporary homes that connect with the surrounding terrain. The firm started 46 years ago. What’s changed about your mission and aesthetic over time.
And what’s remained constant You have to say to yourself, What’s possible Practicing architecture is a very optimistic type of experience. It keeps forcing you to open your mind. It’s not a way to get rich, but it’s a way to have a rich life.started at this firm 26 years ago and joined because of that spirit. The firm was already good when I became aware of it in 1978. Let find out These Magic Makers Famous in The World below.
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These Magic Makers Famous in The World
Meet the Magic Makers
From her Brussels workshop, de Borchgrave turns patternmaker’s paper into elaborate sculptures that breathe stunning new life into fashion history. Equal parts Arte Povera and trompe l’oeil, the works replicate linen, leather, lace, even fur. It takes de Borchgrave and her assistants up to two months to create a single ensemble.
They change the paper’s texture by wetting, ironing, and scrunching it, then use paints, pencils, pens, inks, and gold and silver leaf to transform it into everything from Moroccan caftans to Marie Antoinette’s gownsall at human scale. A collection of her late 17th to early 20th century masterworks are now on display at Washington D.C.’s Hillwood Estate, Museum, and Gardens. You’re often quoted retelling how you first started creating paper clothes because you wanted to make costumes for your children. Can you give me some examples of those early pieces. That is once of These Magic Makers Famous in The World.
Meet the Magic Makers
We read that, no matter what you’re working on, you always start with pieces of paper that are the exact same size. What’s your secret measurement. My four atelier tables, where everything is created, are each 5 meters long by 1.5 meters wide, so we use pieces of paper that are the exact same size as the table tops. That way, people can work from any side. When you’re working from paintings and photographs, how do you create a three dimensional ensemble from a two dimensional image.
With a two dimensional image, I understand what the fabrics are, the jewelry, the shoes, and all that inspires me, but I need to imagine the volume. Through careful study of the image and other resources I’ve researched, I recreate what I think the correct volume is. The only time I’ve actually had the original garment to work from was when I was commissioned to recreate Jackie Kennedy’s wedding dress.
Meet the Magic Makers, RAINERO
We started the project in 1983, to assemble a collection that would really show what Cartier is about. The archive now includes around 1,400 pieces. The idea since the beginning was not to create a museum. We don’t like the idea of a museum, it creates an artificial difference between past and present, which we don’t think exists.
We think of the jewelry as perennial pieces of a continuous collection. We have been acquiring significant Carter items from decades gone by as they become available through estate sales or private clients. The collection has become an important tool for cultural institutions. For example, Taiwan’s National Palace Museum just mounted an exhibit that compared Cartier jewelry from our archive with the court jewelry of China.
Fairytale Jeweler Cartier
The famed luxury house has perfected the art of doing things well, and no detail is too small to warrant the Cartier touch from trademark tutti frutti jewelry pieces dripping with intricately set sapphires, emeralds, and rubies to launch parties at the Metropolitan Museum of Artwhere dozens of uniformed bellboys lined the stairway and even coat check tickets were engraved on heavy card stock. In the 165 years since the company’s launch, Cartier has continued to innovate and enchant.
Today’s creative chief, Pierre Rainero, oversees contemporary designs and the house’s growing archive of its storied pieces, and as such serves as director of the company’s image, heritage, and style. Cartier is the result of both vision and ambition. The house was founded in the mid19th century, but we still live within the framework of Louis Cartier, the grandson of the founder, who joined the company when he was 23. He is the one who was revolutionary, who wanted to establish a specific style for Cartier. In the 19th century, no jewelers were associated with their own styles. They all shared general, universal styles the Renaissance style, the Etruscan style, and so on. Louis’s ambition was to develop a style that was particular to Cartier, and to establish the company as a universal brand, not just linked to France. These Magic Makers Famous in The World.
